剧情纵览
讲述民相与养狗的珍英个性不合。敏瑞是知名的建筑师,需要敏瑞帮助的民相,瞄准了珍英和她的狗。某天,敏瑞昏倒在路上,狗狗万达也走失。敏瑞与振宇一起寻找万达。另一边,贤正照顾着女友的狗,但女友的前男友丹尼尔却突然出现。与毛茸茸的朋友们交织在一起的他们,将展开一段令人愉悦的故事!
讲述民相与养狗的珍英个性不合。敏瑞是知名的建筑师,需要敏瑞帮助的民相,瞄准了珍英和她的狗。某天,敏瑞昏倒在路上,狗狗万达也走失。敏瑞与振宇一起寻找万达。另一边,贤正照顾着女友的狗,但女友的前男友丹尼尔却突然出现。与毛茸茸的朋友们交织在一起的他们,将展开一段令人愉悦的故事!
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环卫公司垃圾车驾驶员尼卡德(Matti Pellonpää 饰)的老同事计划筹资组建自己的环卫公司,邀请尼卡德技术入股,但老同事不久急病突发身亡,尼卡德的生活重回一潭死水状态。尼卡德心有不甘借酒滋事,在被拘留的时候结识日后的同事米卡拉。米卡拉偶而会不识趣的妨碍尼卡德暗地追求超市售货员伊罗娜(Kati Outinen 饰),但他仍是尼卡德最可依赖的朋友。伊罗娜为报复超市经理偷走了钱盒,尼卡德帮助她找到服装店的新工作,服装店经理夹到尼卡德与伊罗娜的关系中间,但尼卡德最终夺回了自己的爱人。 本片获1987年芬兰电影尤西奖最佳影片奖。是导演郭立斯马基(Aki Kaurismäki)无产阶级三部曲的第一部。
影片改编自Samuel D. Hunter创作的同名戏剧,讲述在爱达荷州乡村一个破旧的公寓里,重达272公斤的英语教师查理(布兰登·费舍 饰)隐居避世,固执、坚决地要把自己吃死。查理在中年时期为了同性情人抛弃家人,但情人过世后因为悲伤和内疚暴饮暴食,并且尝试与17岁的女儿艾莉(萨迪·辛克 饰)修复关系。随着查理越来越接近不可避免的命运,他的朋友丽兹(周洪 饰),一个愤世嫉俗的无神论者护士,以及埃尔德·托马斯(泰·辛普金斯 饰),一个年轻的传教士都试图在查理身上找到能被拯救的意志,无论是肉体上还是精神上。然而,只有与查理关系疏远的女儿艾莉才能让他看到目前绝望状态之外的未来,艾莉虽然尖酸刻薄、充满仇恨、浑身是刺,查理却能在她身上找到最后一次赎罪的机会,甚至可能是一丝希望。
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.